Archive for June, 2010

Feeding, Substrate and Watering
Methods of Walter Pall (edited by Victrinia Ridgeway)

I was asked to write a paragraph on the 'feeding of conifers'. So I sat down and came up with this. But the question, “How do you feed conifers?” when given a short answer, can lead to serious misunderstandings and to fatalities.

Substrate, watering and feeding cannot be seen as separate. Each is connected to the other and so it becomes quite complex. Be it a deciduous tree, conifer, young, old, recently potted, or even collected, there are so many variables inside a bonsai garden. Can there be a clear answer?

Well, yes. But one has to read quite carefully and then do EVERYTHING. It is not feasible to pick one that you like and ignore the others. You cannot feed according to my method and don't care what substrate you have or what your watering regime is.

First, I set aside everything that has been written in most bonsai literature about the subject. As technology grants us access to new and more effective methods and products, the way we care for our trees has progressed beyond the boundaries of tradition. It has been a new and modern world for some time, but many have not realized this. Even if some measure of success is achieved with the old methods it can be dangerous if used with modern substrates and practices, or even deadly.

Substrates: Good substrate material must: be of equal particle size, have the ability to absorb water and release it back, have no fine particle organic material, must not decompose easily, be as lightweight as possible when dry, preferably inexpensive and should have an aesthetically pleasing appearance. This would then be: lava, pumice, baked loam, Turface, zeolite, Chabasai (a type of zeolite), coconut pieces, bark pieces, Styrofoam pieces (no joke) and a few more which you can find yourself if you have understood the principles. Please note: Some of these materials may not be available in your area.

Normal akadama is questionable as a good substrate as it inevitably decomposes, especially when exposed to winter frost. It can become deadly loam in the pot, choking the flow of water and air into the soil. This is especially true for trees which are only rarely repotted, like collected conifers and old bonsai in general.

Substrates which are not useful: soil, compost, stones, sand etc. Trees grow in sand and flower soil, of course, but it is not an optimal growing medium for health in bonsai culture.
All substrates can be mixed according to your liking and it makes almost no difference. They can also be recycled and used again, but make certain to sift and clean any recycled materials as needed.

There is no such thing as an 'ideal bonsai substrate'. There are in fact thousands of ideal substrates. I believe that IT DOES NOT MATTER WHAT YOU USE AND IN WHAT MIXTURE as long as it is a modern substrate.

Since there is no soil in modern substrates there is very little alive in them. They dry out easily and one must water several times a day when it is hot, especially if you have used pure inorganics. Therefore I add rough peat in addition to the previously mentioned substrates. This is the kind of peat that is harvested in bogs and comes in its natural coarse form. Make certain not to use fine particle peat/sphagnum moss, even if the package says “dust free” as the particles will be too small. If you cannot find the correct type of peat, use small bark bits without dust particles, or cut coconut fibers. These organic components should comprise 15-20 % of the overall volume, a bit less with conifers, olives and such, and a bit more with small trees and azaleas.

These organic materials are good for keeping humidity higher in the substrate and for supporting the colonization of beneficial microbial life in the soil composition. Research also seems to indicate that peat moss has plant hormones which are good for trees. These are organic materials which would normally have no business being in a bonsai substrate, but the ones mentioned take five years to decompose. You have to consider this when planning your repotting schedules. The organic material should also be sieved out of any substrate that is being recycled.

Watering: I have a watering schedule that runs from the end of March to middle of October EVERY day. This is regardless of whether the trees appear to be dry or not. Only when it rains heavily will I refrain from watering the trees. When it is hot, or there is strong wind, or a combination of the two, I water two or even three times in a day. Very small trees must be watered twice a day. ALL trees are watered the same. Individual watering habits are not needed when all of your trees are in a consistent well draining substrate. There is also no need to carefully train a friend how to water your trees when you are away. Any person can water the trees; everything must only be watered thoroughly. It also does not matter what type of water is used. Tap water is very usable for all plants, even if it is hard water. I have some of the hardest water in Europe in my garden (23° DH). I use this water for everything, including azaleas. I water with a garden hose, full speed. I do not water individual trees, but areas, just like you might water your garden with a sprinkler system.

When you water this way, water aggressively. This means everything becomes very wet, the whole tree from top to bottom. The water must run out of the draining holes. It is very good for the trees if the crown gets wet every day.

With modern substrates over-watering is almost impossible. You can water for hours and all of the excess will just run through the pot if the correct substrate is used. It is very easy to under-water though. Many bonsai die because they are sitting in modern substrate but are watered according to the old methods - under-watered in fact.

Feeding: With modern substrates and aggressive watering, feeding is no secret anymore. ANY fertilizer that is offered for ordinary plants can be used, whether organic or chemical. Fertilizers should have LOTS of nitrogen. Only with nitrogen plants can grow.

I use mainly liquid fertilizer that I get from our cheapest general discount market. In America it would be Walmart. Use general fertilizer that is noted as being good for all plants. In addition I buy a few dozen boxes of granular fertilizers which contain chemical and some organic ingredients. Two times a year, in the beginning of May and in the end of August, I throw a handful of dried chicken manure at the trees. I buy this in large bags, which is very inexpensive. That's it. For ALL of my trees including the world famous ones I use the same fertilizer.

How much? WAY MORE THAN YOU THINK! I feed from 20 to 60 times more than the average bonsai grower. From the beginning of April to the middle of October, every ten days everything is fed with liquid fertilizer, using three to four times the suggested dose. All trees are fed equally, whether deciduous, conifers, small, large, repotted, collected or not. This is a span of about 200 days when the trees are being fed. Since the trees are fed three times the normal dose on twenty days in that time, it makes for 60 doses of fertilizer in the growing season. The average bonsai grower feeds maybe three or five times at half the normal dose because 'bonsai trees should not grow'. If you then add two times a year of chicken manure being given to the trees, you can then understand why this schedule is 20 to 60 times more than the average.

Asian fertilizer cakes are fine but superfluous in our culture. We don't eat steak with chop sticks and don't have to feed plants with cakes. But they don't hurt if you insist of using them; they are just unattractive to look at. Biogold was made to be used with modern substrates like akadama, and it works well. If you give it to me I will break it into very small particles which I then throw all over the substrate surface of the trees. After one watering it becomes invisible.

Too much salt in the substrate is almost impossible if one waters aggressively every day. Even azaleas don't mind my treatment. They thrive very well with very hard water, ordinary baked loam and peat as the substrate and aggressive feeding like all the rest of the trees.
About ten years ago 'super feeding' was proclaimed and a while later forgotten. It did not produce the expected results and many trees suffered and even died. What I do sounds similar. Well, it is similar, only that I insist on aggressive watering in parallel to aggressive feeding and the use of modern substrates. I also don't make the ingredients of fertilizing trees into a science. I tell you to buy whatever is on sale in the garden center or agricultural supply store.

This feeding scheme is for trees in development. Remember that 99.8 % of all bonsai are 'in development'. If you happen to have one that should really not develop anymore you slow down its feeding schedule considerably. You let it starve on purpose. Then it will get smaller, and fewer, leaves and needles. It will look good for shows, but your tree will go downhill if you continue to do this for too long. After a few years you have to feed it aggressively again to let it recover.

Summary: Do all three or nothing! You have no choice here. To just pick one method and refuse the others will end in disaster. Those who do 'super feeding' using old-fashioned soil, and insufficient watering will kill trees. Those who use modern substrates, aggressive watering and fertilizes like the old days will have very weak and, in the end, dead trees. That's all there is to it.

So the question, “How do you feed conifers?” Gets the answer, “Like all other trees, but you have to know the whole story.”

I know that many will not believe this. ‘He who heals is right’, is a saying in human medicine. In gardening 'he who has the healthiest trees in the long run' is right. Come to see my garden or look at my gallery, they speak for themselves.

All this was not discovered or invented by me. I only learned from professional modern gardeners. They have done this for decades with great success. I have adapted modern horticulture to bonsai. Only in the bonsai world does this seem revolutionary.

Walter Pall

Looks like summer is finally here. It's June 13 and we are having our very first 90 degree day. Must be some kind of record for us. It's peaking now at 93. This has been the coolest spring I can remember. So I am celebrating by sitting inside under the blast of the swamp cooler, totally bored I might add. The restrictions on my activities is really getting to me. After checking the bonsai forums for the nth time and finding nothing new that's interesting, I decided to write my own contribution.

Some rules you just don't find in the books. I have made one myself and have picked up couple others from my friend Jeff who takes a lot of workshops from Kathy Shaner and other masters in the Bay Area. I find these wonderful rules that I use all the time.

FIND WHERE THE TREE STOPS BEING INTERESTING. This rule applies to advanced and promising material that hasn't been completely styled. Usually a suitable candidate for this rule disturbs you in some way. You get the feeling that this should be a good tree, but there is just something wrong that keeps it from being really great. The trick is to start at the nebari (as usual) and go up the trunk inspecting each element. Where the tree stops being interesting is the problem. More often than not, it is a long straight portion of the trunk that is boring, but it can be anything that is ugly or out of character with the rest of the tree. For example, on a short fat tapered trunk, it's the section where the taper stops.This, like the rest of these rules is rather subjective and thus a bit harder to grasp than say something like the rule against bar branches. Indeed, these rules will not violate any of the literal rules of bonsai.

ALWAYS PRUNE COARSE TO FINE. This would seem like a no brainer, but in fact, most people don't recognize this practice. When doing branch work, either styling or maintaining them, this is a little ditty that you should keep saying to yourself. As you move outward anywhere in the canopy of the tree, the branchwork should get finer and finer. For this to happen, you have to design the tree by pruning out the large and coarse section of branches. This is how you get good ramification. Prune out the long, straight, and thick sections, always selecting for the short, fine, and thin branches. A really simple and obvious rule that is almost totally overlooked.

AVOID THE DREADED "C" CURVE. A powerful concept in bonsai design is FLOW. This is the idea that there is a visual energy flowing through the tree. It can be tickled and diverted, but it always comes back to the same direction (except when you want dynamic tension). But flow should not be stopped in its trip up from the nebari and out through the apex. Of course a tree can several bends in the trunk that slightly change the direction of the flow. This is what we call MOVEMENT, and even the term alludes to  flow. There are several things that can stop flow, but one of the most overlooked is a "C" curve in the trunkline. A bend in the trunk will stop being aesthetic when it starts to close, as in the ends of the "C". Instead of the eye dancing around the curve and up the trunk, the visual energy will stop or shoot out of the trunkline rather than moving up to the apex if the bend is closed. This is a very subtle but powerful concept.

WORK WITH WHAT THE TREE SHOWS YOU. This is another rule that you think would be obvious, but many people don't think in these terms. Instead of being partners with the tree, they try to bend it to their will. I don't consider material to be pre bonsai until it shows me something. Once it does this, then I prune and work with the tree to enhance what it has to offer. In fact, I find many trees are completely built around one excellent feature. Usually it is the trunk, but can just be the bark, or a uro, jin, shari, or the nebari. Something about the tree that is truly excellent. On many trees with outstanding trunks, the branches and foliage are just window dressing. In fact, you want to design the tree so as to enhance the outstanding feature, not to detract from or hide it. This is related to trying to see the tree in the tree. The essence of the tree will often be one outstanding feature, and the rest of the design will be obvious once you see it from this point of view.

Health Update: Healing from the last operation is proceeding very slowly. It is very frustrating trying not work, or strain myself. It now looks like the final surgery won't be until sometime in July.